Finished this plate and decided to pull an edition. Probably 25 + artist's proofs
printed on Fabriano 90# acid free paper.
Below is the finished plate and a print.
Pattern is transferred.....burnishing begun. Some lines are incised, just to hold the pattern in the technical parts
After the first session of burnishing, I ran a "proof-print", just to check my progress. The blue sharpie design also printed. I wish I could make a whole edition of prints with this "sharpie" bleed-through. I think it looks cool.
This is the design I decided to use. It's a watercolor I did last month. I resized it, reversed it, and rendered it in black and white.
After I rocked the plate, I drew the design with a sharpie. I began to designate the areas that will be black, and leave them untouched. The negative areas around the pumbing will be black also.
Thanksgiving evening, I started rocking a new mezzotint plate. This time I used a 5 x 7" zinc etching plate, rather than copper, because I thought the extra thickness would help the richness of blacks acheived with my little studio press. I used a 65 pt rocker, and rocked in 16 directions.
We opened a new gallery. It's The Gallery on Sixth, in Tulsa.
My prints and watercolors are there, along with some incredible "high-end" crafts, such as wood-turning, marquetry and handmade clocks, hand-woven baskets, and hand-made jewelry.
Notice the emphasis on "hand-made". This ain't your run of the mill craft show.
2207 East 6th Street, Tulsa...One block west of Lewis on 6th. Open Tuesday thru Saturday.
Yep, it's open after Thanksgiving.
gallery interior